Its source of inspiration was the exaggeration of two-dimensionality proposed in the well-known novel by the Reverend Abbott in which squares, circles and triangles become essential components in the construction of ‘Flatland’. More than a font, it is a visual score representing the ongoing conflict between decomposition and recomposition in the work of all designers faced with the challenge, presented by Listone Giordano, of relinquishing the third dimension.